Madame Bovary Vs. The Awakening Essay -- Madame bovary Awakening Compa

Madame Bovary Vs. The arouse Madame Bovary by Gustave Flaubert and The Awakening by Kate Chopin both guide the life of a woman in a half- imaginey stupor, overzealously running around looking for something but not clear-sighted what it is they are looking for. They feel immensely dissatisfied with the lives they are stuck with and construe suicide to be the only alternative. The two books, Madame Bovary, pen in 1857 and The Awakening, written in 1899, both have the theme of confinement and quit-will, yet disaccord vastly with respect to the yearnings of the main characters. In addition, Edna and Emma, the protagonists of Madame Bovary and The Awakening respectively, are face up with a conflict between external oppression and their own free will, which eventu eachy leads them to take their lives. Edna and Emma have vastly different yearnings yet standardised reasons for suicide. Ednas and Emmas yearnings are vastly different, if not opposite. Edna yearns for an uncontrolled life style because her current lifestyle leaves her feeling like a possession. She yearns to break that distinguish she fights to do as she give carees. Her moving into the Pigeon house, shedding of layers of restrictive clothing, and having affairs with Robert and Arobin show this feeling of confinement. Emma, on the other hand, wants to indulge in what Edna fights against she wants to be owned and attempts to pass on self-fulfillment through romantic attachments, whereas Edna wants to break away from all attachment, especially family and society. Emmas yearnings are shown through her affairs with Leonce and Rudolphe, her unrestricted consumption of money, and through her thoughts and feelings of discontent. Emma yearned to escape the sameness of her life she coveted sophistication, sensuality, and passion, and lapsed into extremum boredom when her life did not fit the shape of what she believed it should be. Emma merged her dream world with reality without knowing it in or der to survive the monotony of her existence, while ultimately destroying her. It is not her intellect, but her capacity to dream and to wish to transform the world to fit her dreams, which sets her apart from Edna. For instance, at the scene where Emma and Charles go to the La Vanbyessards chteau, Emma is awestruck by a fat, uncouth, upperclassman. At the dubiousness of the table, alone among the ladies, an old man sat hunched over hi... ... never really loved her. Even the moneylender played her weakness and took payoff of her. Emma realized also that her romantic idealisms could never be filled that though a man like that may exist, she could never find him. nevertheless if somewhere there existed a strong, handsome man with valorous, passionate and cracking nature, a poets soul in the form of an angel, a lyre with strings of bronzy intoning elegiac nuptial songs to the heavens, why was it not possible that she might receive him some day? No, it would never happen (Flauber t 245). Emma loses all hope, and falls into a deep state of depression. Besides, nothing was worth seeking-everything was a lie each smile hid a yawn of boredom, each joy a give tongue to each pleasure its own disgust and the sweetest kisses only left on ones lips a hopeless longing for a higher ecstasy (Flaubert 245). This pass of hope due to the crumbling of the foundations of her dream world and her inability to emulate the model she set for herself led to her suicide. This is similar to Edna in that Ednas inability to achieve total independence forced her to commit suicide rather than be forced to live in such a world of dictatorship and repression.