Assault Written Assessment

Priyanka Thirumurti Mrs. Harris Language A HL 1 Written Assess custodyt 2/25/13 Question How is the incident on page five a metaphor for Antons quest doneout the novel? In the prologue of the Assault, Harry Mulisch broadly foreshadows the entirety of the novel through an underlying, quintessential theme that provides great cortical dominance into human nature.The image of the solitary man depicted in the possible achieve scene reveals the generalized theme of an unchanging continuity between the medieval, present, and age to come that in the protagonists case, can only be humble by the will and/or desire to endure pain by dealing with and forgetting the past an ordeal that serves as a comparison to Antons quest of self discovery thoughout the novel. Tying this universal theme with the line drawing of Anton, Mulisch portrays how the protagonists identity is significantly based on hisAnton electric razorishness experiences, which reveals hisAnton curious and innocent na ture.Antons innocence is revealed through his thought offshoot Anton used to think that Carefree meant a place where cares entered freely, not a place free from cares(3). Only a child would note nuances in words to give them more meaning. Antons inclination to make literal, child-like observations astir(predicate) his surroundings factors his approaches to situations in his later liveness, including his outward display of defiance to receive his witness mistakes when confronted with the truth. In addition, in the latermath of World War II Anton speculates on retrieving a capsule replete with knowledge Inside the capsule. . be of interest long before then? (11)Antons curiosity reflects his potential because of his thirst for knowledge. The protagonists thirst for knowledge and child-like naivety go on with him, setting the stage for hardships and adversity in his future. For example, after the heart wrench incident in which Anton is separated from his parents, his child-like curiosity leads him to discover his own weakness It was more more bitter. . . wrists crossed under his chin(28).Unable to defend his family, Anton puts often blame on his inability to take care of his family without fully realizing his concern as a child. As Anton grows he encounters many more hardships that he is unable to handle without fully realizing his duty as a child and with the maturity his age implies. For instance, when Mrs. Beumer invites him his attention drifts to his surroundings and he avoids many of the questions through a tangential thought play that is his undoing. Making his life much more difficult than it should be, Anton shares a likeness with the man on the belt along in the prologue of the novel. equivalent to the way the man planted the stick sideways in the bottom of the canal, grasped it firmly, and walked backwards(5) Anton uses an equally difficult means of handling situations reach evasion. By taking the path less traveled by, Anton finds hims elf living in stasis though recurring episodes of past memories that hinder his psychological development. The death of his brother, ray Steenwijk, and that of his father and mother caused him great suffering as he do transitions from childhood to adolescence and finally to adulthood.When Anton returns to Harlem, his home and the general setting remind him of the painful past, which he leaves nates without any semblance of peace, but only of swage and uncertaintyCare, careIt was war date, one big disaster, my family was murdered, and I stayed alive(117). His sensed ignorance reflects on his complex photograph. The actual events diminish in impact, but they comfort remain in his memory and restore him to such an extent that he decides to become an anesthetist, an irony in and of itself.This pattern of stasis can be instantly cerebrate to the motion of the man on the barge because he sash in the same place as barge moves through the piddle as Antons development remains s tagnant although he changes physically. Similar to the stage of denial portrayed by the Kubler Ross theory, Anton lives in denial, exemplifying the action of staying in one place and not moving previous, without directly screening or accepting, even to himself, any signs of stagnant behavior.To comfort himself, Anton blames his surroundings for his problems The cypresses were flames of pitch-dark fre. . . Something was wrong with the military man, not with him(156). This type of erratic behavior suggests that Anton is stymied from moving forward because of physiological symptoms of events in his past that causes him suffering, which is also connected to his perception of the world around him. The use of strong diction such as flames and unappeasable fire evoke an ominous tone that can be related to Antons fear of his own health, which only worsens as time progresses.For instance, when Anton goes to the shore with his family, after having successfully attained his position as a n assistant anesthesiologist he goes into a lengthy daze during which he loses his sense of time He himself was adrift(p) like a extend at its center, in an empty, rose-colored space that was rapidly receding from the world(127). The floating dot(127) and the solitary man on the barge(5) are similar in that they emulate the sense of strangeness that the prologue indicates There was something very strange near it but it was his secret that he didnt mention to anyone. The secret is revealed through Mulischs use of metaphor and diction, with words such as floating and receding, to indicate a lapse in Antons thought process that takes him back to his round-eyed, carefree lifestyle, but simultaneously urges the reader to think near Antons position and how the past, present and future are all bind together to make a cohesive whole that is Antons life up to the climax of his psychological development.As time progresses, Antons perception of time becomes skewed as his mental health gr adually deteriorates and as his forbearance decreases. For example, when given the antidote for his troubles Anton angrily refuses The doctor also left a prescription. . . but Anton tore it at once(156).In addition, He felt timeworn and depressed, nightmares troubled his sleep, and the minute he woke up he was plagued with worries and anxieties The repercussions of the traumatic events of his childhood continue to cause Anton pain, a motif that plays a big fiber in his characterization as someone who reminisces too much for his/her own good, and so the action of grasping a stick firmly, as say in the incident in the prologue, can be related to Antons method of dealing with the past by think abouting on to memories firmly such as the memory of Truus Coster ingrained in his brain.Finally, as Anton reaches self-acceptance by letting people into his life he is able to discriminate the easygoing in the midst of the dark which Mulisch reveals through the use of characterization and theme. As Anton learns to listen to other people like Cor Takes and Karin he learns to appreciate the people, things and places that hold true meaning and value. For example, Anton and Cor Takes, two grown men, start crying after a funeral When Anton saw Takes tears he begun to hollo himself. . . They must have been surprised to see two grown men so much affected by the death of a trembler(120). The perceptional climax between Cor Takes and Anton reveals the extent to which memories of people, circumstantialally that of Truus Coster, can affect the stability of two grown men. It also reveals the universal theme that emotion speaks across differences, including age, experience, and maturity. Karin, by far had the greatest impact on Antons return to normal life because she revealed the most important truth behind Antons past Tonny, theres something I have to secern youMy God the lizards (181).The contradiction between the complicated repercussions of such a simple accident portr ays the shocking truth, which serves as a comparison to the incident in the prologue. Anton describes the solitary mans primitive means of travel by saying, Only in movies about Africa or Asia could one still see such things which juxtaposes the complicated V shaped ripples caused by the more unexampled motorboats, representing the ease of travel. The metaphor indicates a very important aspect of the characterization of Anton someone who took the hard path in life rather than the easier path, which finally depends on perspective.In essence, Anton and the solitary man on the barge share specific characteristics that give the novel meaning and substance, including Antons determination to evade his past without any destination and the solitary mans invariable accordant approach to travel. Despite their differences, including Antons inability to see past his own perspective and the travelers primitive ways, both individuals portray the theme of continuity and self-centered nature th at any reader could relate to, magnanimous the novel itself much more depth and value. Word Count 1463 work Cited Mulisch, Harry. The Assault. New York Pantheon, 1985. Print.